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				<title>Diary of a Madman</title>
				<link>http://bostonbabydolls.net/thewrathblog.cfm</link>
				<description></description>
				<pubDate>Sat, 21 Aug 2010 18:05:00 GMT</pubDate>
			
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					<title>The Trip Thus Far...</title>
					<link>http://bostonbabydolls.net/thewrathblog.cfm?feature=1666865&amp;postid=406668</link>
					<description>It&apos;s mid-August ... all right, mid-late August ... and things are moving forward swimmingly so far.  It makes me nervous.  After three rounds of auditions, in which we made a lot of hard choices (too much talent, not enough roles), we&apos;ve settled into a cast and crew I&apos;m quite happy with. &amp;nbsp;Betty, Mina, Chad, and I are re-creating their roles as The Countess, The Diva, Hans, and B&amp;uuml;cher, with two insanely talented newcomers &amp;ndash; Heidi and Linnea &amp;ndash; cast in the roles of The Broad and The Innocent Corrupted. &amp;nbsp;The new version of The Wrathskellar&amp;nbsp;combines the characters of The Stranger and Miss Delicate into a single character called The Lost Girl, who is more unearthly and sadder than either one was. &amp;nbsp;Our hard-working intern Rebecca is doing a stellar job as The Lost Girl, and is choreographing a balletic striptease which I think is going to be chilling.

Part of the crew are the four (!) talented costumers who are going to be working on this show.  I know burlesque requires a lot of clothing, but having four costumers (especially for a small cast when compared to shows like French Kiss) feels like an embarrassment of riches.
The first treat came from Kristen Augenfeld, who designed this amazing coat for B&amp;uuml;cher. &amp;nbsp;We gave her a pattern for a traditional Eastern European coat, a big bag of assorted scraps of fabric, and said &amp;quot;Have fun&amp;quot;. &amp;nbsp;She did. &amp;nbsp;The result is this lushly dark, madcap quilt of a coat.

We still need to spend some time distressing it, which seems almost sacrilegious... (but I guess that&apos;s what this show is all about). &amp;nbsp;

Tomorrow our studio is closed because the building is undergoing major electrical work this weekend. &amp;nbsp;Instead of rehearsing at B.A.B.E. we&apos;re rehearsing at the theater. &amp;nbsp;I think that it&apos;ll get everyone&apos;s juices flowing even more to see the space in which we&apos;re going to be performing. &amp;nbsp;I know it always gives me a thousand ideas. &amp;nbsp;I&apos;ll be sitting with Hunter and Nick to talk about the light and sound design. &amp;nbsp;I want to do something interesting and unusual things with the space. &amp;nbsp;Thinking about it this way really drives home that The Wrathskellar is part show and part haunted house in some ways.
&amp;nbsp;</description>
					<content:encoded><![CDATA[<img alt="B&uuml;cher's Coat" width="210" height="417" vspace="2" hspace="2" border="0" align="left" src="http://content.bandzoogle.com/users/TheBostonBabydolls/images/content/IMG_0900.jpg" />It's mid-August ... all right, mid-late August ... and things are moving forward swimmingly so far.  It makes me nervous.  After three rounds of auditions, in which we made a lot of hard choices (too much talent, not enough roles), we've settled into a cast and crew I'm quite happy with. &nbsp;Betty, Mina, Chad, and I are re-creating their roles as The Countess, The Diva, Hans, and B&uuml;cher, with two insanely talented newcomers &ndash; Heidi and Linnea &ndash; cast in the roles of The Broad and The Innocent Corrupted. &nbsp;The new version of <i>The Wrathskellar</i>&nbsp;combines the characters of The Stranger and Miss Delicate into a single character called The Lost Girl, who is more unearthly and sadder than either one was. &nbsp;Our hard-working intern Rebecca is doing a stellar job as The Lost Girl, and is choreographing a balletic striptease which I think is going to be chilling.<br />
<br />
Part of the crew are the four (!) talented costumers who are going to be working on this show.  I know burlesque requires a lot of clothing, but having four costumers (especially for a small cast when compared to shows like <i>French Kiss</i>) feels like an embarrassment of riches.
<p>The first treat came from Kristen Augenfeld, who designed this amazing coat for B&uuml;cher. &nbsp;We gave her a pattern for a traditional Eastern European coat, a big bag of assorted scraps of fabric, and said &quot;Have fun&quot;. &nbsp;She did. &nbsp;The result is this lushly dark, madcap quilt of a coat.<br />
<br />
We still need to spend some time distressing it, which seems almost sacrilegious... (but I guess that's what this show is all about). &nbsp;<br />
<br />
Tomorrow our studio is closed because the building is undergoing major electrical work this weekend. &nbsp;Instead of rehearsing at B.A.B.E. we're rehearsing at the theater. &nbsp;I think that it'll get everyone's juices flowing even more to see the space in which we're going to be performing. &nbsp;I know it always gives me a thousand ideas. &nbsp;I'll be sitting with Hunter and Nick to talk about the light and sound design. &nbsp;I want to do something interesting and unusual things with the space. &nbsp;Thinking about it this way really drives home that <i>The Wrathskellar</i> is part show and part haunted house in some ways.<br type="_moz" />
&nbsp;</p>]]></content:encoded>
					<pubDate>Sat, 21 Aug 2010 18:05:00 GMT</pubDate>
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